Details:

- Unique low-frequency filter cleans and tightens low end.
- High-pass your track without making it weak or thin.
- Boost low end to extremes without blowing your speakers.
- Three operating modes: Resonant filter (Classic), Boost-attenuation (Passive), and both combined Combo.
- Continuously variable center frequency select.
- Individual stereo, mid, and sides processing.
- Dry/wet blend control.
- Instantly switch between modes to monitor results, plus A/B comparison.
- Simple interface yields dramatic results.

Boz says "When Bark of Dog was just a puppy, it was bred to be a studio-quality, resonant high-pass filter and rapidly became mixer's best friend and a staple in studios the world over. Like all gear that becomes classics, along with a simple, intuitive interface, Bark of Dog 2 makes it easy to get great results in both low-frequency cleanup and bass boost. Bark of Dog 2 operates in stereo or Mid-Side, enabling you to choose between Stereo, Mid only, or Side only processing. It also offers a continuously variable center frequency knob and A/B comparison mode that automatically saves settings into the selected bank. Bark of Dog 2 not only incorporates the resonant filter mode (Classic) of its sire, it adds a Pultec-like boost-attenuation mode (Passive), plus a Combo mode that combines Classic and Passive modes, giving you more options to clean and tighten your low end, as well as add body to instruments and vocals. Plus, you can instantly switch between them to see which works best. Get used to calling your stereo bus "the dog house," because once you year Bark of Dog 2 in action, it's going to live there—and now you can get version 2, the big dog, for free. Prepare to be amazed."

Changes in ModulAir v1.1.0

- New modules (Phaser, Analyzer, Filter Bank, Stereo Mixer, Stereo BBD Delay, Oscilloscope, Sequencer Clock).
- Source highlighting.
- Optional VST effect wrapper.
- Triangle wave for oscillators.
- Many internal improvements and fixes.

ModulAir is a modular polyphonic software synthesizer for Microsoft Windows (VST) and Apple macOS (VST/AU) written in native C++ code for high performance and low CPU consumption.

ModulAir is a work in progress and as of now with only a bunch of quirky presets and a lousy documentation. I am constantly adding modules and stuff to it. :-)

The update includes polyphonic cables, multithreading to engine, undo/redo history, module expander support and lots more.

Changes in VCV Rack v1.1.0

- Polyphony
Use up to 16 voices with the full flexibility of modular patching. Cables automatically turn polyphonic when requested by MIDI modules, sequencers, etc.
- MIDI output
Control MIDI hardware with Rack modules. New modules include CV-GATE for drum machines, CV-MIDI for desktop synths, and CV-CC for Eurorack interfaces.
- MIDI mapping
Control knobs, buttons, and sliders directly from a MIDI controller. Using the new MIDI-MAP module, click a virtual parameter and move a hardware control to create a mapping.
- Module Browser
Search, filter, and view modules in your collection. Click and drag to directly place modules in the rack.
- Multi-core engine
Use multiple CPU threads to maximize the number of modules. Accelerated polyphonic engines on many VCV and third-party modules.
- Many other new features and fixes, including manual parameter entry, module disabling, module “force” dragging, module expanders, easy zoom gestures, and more.

Description:

- Reverb that enhances the harmonic content of the signal.
- Depth knob controls the harmonics from slight enhancement to almost “organ-like” sounds.
- Designed for Guitar and Bass, but maybe it’s useful for other instruments too.
- Useful to pronounce tone harmonics on (distored) Guitar/Bass tracks.
- Supported sample rates: 44.1, 48, 88.2, 98 and 192 kHz.

Limitations:

- Only Windows 64-Bit VST3 format available at the moment.
- Only tested with Cubase 8. Feedback if it works with other Hosts would be helpful for me.